In 1984, Artistic Swimming was introduced to the Olympics Games in Los Angeles, with two events, both for women only. Former competitive swimmer and MGM film star Esther Williams served as commentator. The events were contested at the McDonald's Olympic Swim Stadium (now the Uytengsu Aquatics Center in 2014).
However Everything Played Out the Same Way IOTL
Here are the Medalists
Solo: Gold - Tracie Ruiz (USA), Silver - Carolyn Waldo (CAN), Bronze - Miwako Motoyoshi (JPN)
Duet: Gold - Candy Costie & Tracie Ruiz (USA), Silver - Sharon Hambrook (CAN), Bronze - Saeko Kimura & Miwako Motoyoshi (JPN)
But On the Second to Last Day of the 1984 Summer Olympics, For The First Time Ever an Exhibition Gala took place and the cast includes 50 Artistic Swimmers from 21 Nations + 18 More from 3 Countries making a Cast of 68 Artistic Swimmers (All Female)
The Opening Number: Olympic Odyssey
Music: A high-energy medley beginning with Olympic Fanfare and Theme (John Williams) transitioning into a synth-pop version of Rhapsody in Blue.
Part I: The Deck Procession
The show begins not in the water, but on the pool deck.
The Cast: All 50 official competitors from the 21 nations enter simultaneously from four different corners of the stadium.
The Look: Unlike the competition "figures" where they wore plain black suits, for the Gala they wear metallic, high-cut spandex suits in their national colors—glistening under the California sun.
The Choreography: A synchronized "March of the Nations" on land. They perform sharp, rhythmic arm movements and poses that mirror the geometry of the Los Angeles Coliseum's arches.
Part II: The "Silver Screen" Entry
As the music shifts to a more fluid, orchestral tempo, the legendary Esther Williams appears at the head of the 10-meter diving platform.
She doesn't dive; she signals with a silver whistle.
On her cue, the USA and Canadian National Teams (about 20 swimmers) perform a "sequential entry"—one by one, they dive into the pool in a continuous "zipper" motion, creating a perfect line of splashes that travel the length of the Olympic pool.
Part III: The Floating Kaleidoscope
Once all 50+ swimmers are in the water, they move into the center to create a massive, multi-layered floating formation.
The Centerpiece: The three medalists—Tracie Ruiz (USA), Carolyn Waldo (CAN), and Miwako Motoyoshi (JPN)—form the very center "bud" of a flower.
The Petals: The remaining 47 swimmers form three concentric circles around them.
The Action: On a crescendo in the music, the entire "flower" opens. The outer circles perform a "back layout" (floating on their backs) while the inner circle performs a "vertical" (legs straight up in the air).
The Finale of the Opener: All 50 athletes simultaneously perform a "Rocket Split"—launching their bodies halfway out of the water in a split position, punctuated by a massive burst of glitter-cannons from the pool deck.
Later in the Gala, Here are the Segments that were performed in the First Gala
Act I: Global Mosaic (21 Nations)
Swimmers: All
The Setup: National Flags on Water
The music shifts from the upbeat Opening Number to a sweeping, world-music medley—think 1980s synth-orchestral pieces like Vangelis or Kitaro.
The Cast: All 50 official competitors return to the pool.
The Formation: The swimmers divide into four groups, one at each corner of the pool.
The Prop: Each swimmer carries a small, buoyant silk flag of their nation attached to a wristband. When they perform "deck-work" (the moves before entering the water), the flags create a fluttering wall of color around the perimeter of the pool.
The Choreography: The Sequential Ripple
The highlight of this act is a move called the "Global Ripple." 1. Beginning with the lone representative from Egypt, the swimmers perform a sharp arm-and-leg sequence that travels around the pool like a "Human Wave" in a stadium. 2. As the ripple reaches the larger teams (USA, Canada, Japan), the movements become more complex. 3. The swimmers from Great Britain (Wilson, Holmyard, and Dodd) and Mexico (Novelo and Ramirez) lead the mid-pool transition, where all 50 athletes move into the center to form a perfect square, representing the four corners of the world.
The "Floating Map" Highlight
The swimmers perform a "Back Layout" (floating on their backs) and, using their legs only, they slowly rotate the entire 50-person formation.
From the high-angle cameras, the swimmers' colorful suits and national flags create a shifting mosaic that looks like a spinning globe.
The Finale of Act I: On a sudden musical beat, every swimmer performs a "Barracuda"—a powerful thrust where they explode vertically out of the water, legs first, up to their waists. As they disappear back underwater, 21 small fountains of water are triggered from the pool's edge, each illuminated by a spotlight matching a national color.
The "Gala" Twist
In the 1984 competition, these athletes were rivals separated by decimal points. In this act, they are moving in unison. The crowd sees Tracie Ruiz (USA) and Carolyn Waldo (Canada) side-by-side, not as competitors, but as the two "ends" of the same synchronized line.
Act II: The Trio of Champions (The "Unseen" Medalists)
In Act II, the Gala takes advantage of its non-competitive format to showcase a routine that was impossible during the 1984 Games: The Trio. While the Olympics only recognized Solo and Duet, "Trio" routines were a staple of international synchro in the early 80s. This act brings together the three gold medal-level athletes of Team USA in a performance that emphasizes power, speed, and the unique "twin-sync" that was about to take over the world.
The Cast: The "Golden Three"
Tracie Ruiz: The reigning Solo and Duet Gold Medalist.
Candy Costie: The Duet Gold Medalist.
Sarah Josephson: The official 1984 alternate (who would go on to win gold in 1992).
The Vibe: "Thriller" Energy
Music: A high-octane, custom remix of Michael Jackson’s Wanna Be Startin' Somethin'.
1984 was the year of Thriller, and the U.S. athletes were famous for bringing pop-culture energy to the pool. For this Gala, they trade their competition sequins for vibrant neon-red and black suits that match the iconic MJ aesthetic.
The Choreography: High-Velocity Sync
The Power Start: Unlike a slow competition entry, the three athletes sprint onto the deck and perform a high-energy dance sequence (including a synchronized "moonwalk" on the pool edge) before diving in simultaneously with a back-tuck somersault.
The "Triangle" Formation: In the water, they form a tight triangle. Ruiz leads at the point, with Costie and Josephson flanking her. Because Sarah Josephson and her twin Karen were famous for having identical bodies and movements, her synchronization with Ruiz and Costie creates a "triple-image" effect that looks like a mirror reflection.
The High-Lift: In a stunning move rarely seen in the 1984 solo/duet events, Costie and Josephson act as a "base," launching Ruiz completely out of the water. She performs a full 360-degree twist in the air before a clean entry—a precursor to the acrobatic "Team" moves of the future.
The "Twin" Cameo
As the routine reaches its climax, a fourth swimmer—Karen Josephson (Sarah’s identical twin, who wasn't on the official Olympic roster but was in LA to support the team)—surprises the crowd by diving in for the final 30 seconds.
The "J-Twins" (Sarah and Karen) perform a lightning-fast leg sequence in the center, while Ruiz and Costie circle them with powerful "Butterfly" strokes.
The Finale: All four athletes finish with a "Vertical Descending" move—sinking slowly underwater while their legs perform a sharp, military-style "salute" as they disappear.
The Impact
This act serves as a "passing of the torch." While Ruiz and Costie were the stars of 1984, the inclusion of the Josephson twins in this Gala act gives the audience a glimpse of the "perfect synchronization" that would dominate the sport for the next eight years.
Act III: "Ice and Fire" – The Canadian Masterclass
After the high-energy pop-culture vibe of the American Trio, Act III shifts the mood to something more sophisticated and technically daring. This act belongs to Team Canada, the nation that pushed the artistic boundaries of the sport to its absolute limit in 1984.
The Cast: The "Northern Stars"
Carolyn Waldo: The Solo Silver Medalist (known for her height and grace).
Sharon Hambrook & Kelly Kryczka: The Duet Silver Medalists.
Sylvie Fréchette: The 17-year-old phenom (the "Future of Synchro").
The Full Squad: Including Michelle Cameron and the Vilagos twins, totaling 8 swimmers.
The Vibe: "Cinematic Drama"
Music: A dramatic transition from the haunting Chariots of Fire (Vangelis) into the driving rhythm of O Fortuna.
The Canadian style in 1984 was characterized by "extension"—making the body look as long and elegant as possible. They enter the deck wearing shimmering silver and deep crimson suits, representing the "Ice" of the North and the "Fire" of their competitive spirit.
The Choreography: The "Mirror Image" Suite
The "Solo-within-a-Team": The act begins with Carolyn Waldo performing a solo spotlight in the center of the pool. She is surrounded by the other seven swimmers who form a circular "ice floe" around her, moving their arms like waves to elevate her.
The Hidden Mirror: As Waldo performs a slow, controlled "Ballet Leg," Sylvie Fréchette pops up directly behind her, perfectly hidden from the front view. They move in such perfect unison that for a moment, the crowd thinks they are seeing a double-exposure effect—Waldo’s legendary height paired with Fréchette’s youthful power.
The "Fire" Sequence: The music suddenly speeds up. The Canadians break into two lines of four. They perform a "Crossing Pattern" where swimmers swim between each other’s legs underwater at high speed. This was a signature Canadian move that required terrifyingly precise timing to avoid collisions.
The Highlight: The "Eiffel Tower" Lift
In 1984, "lifts" were still in their infancy. Canada uses this Gala to debut a prototype of the platform lift:
Three swimmers form a base underwater.
Two more stabilize them.
They hoist Sharon Hambrook and Kelly Kryczka upward, who in turn support Carolyn Waldo at the very top.
Waldo strikes a "Statue of Liberty" pose nearly 6 feet above the water’s surface, holding the position for a full five seconds as the "Ice" and "Fire" spotlights swirl around the stadium.
Act IV: The "Pacific Harmony" – An International Duet Medley
In Act IV, the Gala moves away from the North American rivalry to celebrate the "Global" in Global Games. This act features the top duets from Japan, Great Britain, and the Netherlands, showcasing the distinct regional styles that emerged during the sport's Olympic debut.
The Cast: The International Elite
Japan: Saeko Kimura & Miwako Motoyoshi (The Bronze Medalists).
Great Britain: Caroline Holmyard & Carolyn Wilson (The 4th place finishers).
Netherlands: Catrien Eijken & Marijke Engelen (The 6th place finishers).
The Vibe: "East Meets West"
Music: A seamless medley starting with traditional Japanese Koto drums, transitioning into a British New Wave synth beat (think The Eurythmics), and ending with a classical European waltz.
The Choreography: The Rotating Spotlight
The Japanese Precision: Kimura and Motoyoshi begin in the center. They are famous for their "robotic" precision—sharp, lightning-fast arm movements that are so perfectly timed they look like a single person with four arms. They wear indigo suits with gold cherry blossom patterns.
The British Grace: As the music shifts to a British beat, Holmyard and Wilson glide from the sidelines. The British style in '84 was highly athletic but focused on "deck-to-water" transitions. They perform a series of synchronized back-flips off the pool edge, entering the water with almost zero splash.
The Dutch Power: The Netherlands duo, Eijken and Engelen, bring a "Continental" style—powerful treading and high leg extensions. They join the other two pairs to form a six-person hexagonal wheel.
The Highlight: The "Global Orbit"
The three duets link arms in the center of the pool to create a rotating circle:
While spinning, the Japanese pair performs a vertical leg sequence in the center.
The British pair performs "Crane" positions (one leg up, one bent) on the outer edge.
The Dutch pair acts as the "motor," using powerful eggbeater kicks to spin the entire formation at high speed.
The Finale of Act IV: The music reaches a crescendo. All six women release their grip and perform a "Submerged Spin"—spiraling downward into the blue depths of the McDonald’s Olympic pool until only the bubbles remain on the surface.
Act V: The Rising Tide
"The Rising Tide" – The Class of 1992
Act V is the "sneak peek" of the show. While the previous acts focused on the current champions, this segment features the teenagers and young alternates who were not yet household names but were destined to sweep the gold medals at the next two Olympic Games.
The Cast: The Future Legends
Sylvie Fréchette (Canada): Just 17 years old. In 1984, she was a reserve who didn't compete in the official events, but she was already being hailed as a technical prodigy.
Kristen Babb (USA): A 16-year-old phenom from the U.S. developmental squad.
The "Junior" Ensemble: A group of 10 young swimmers from the host nation’s local clubs, representing the "next generation."
The Vibe: "80s Synth-Wave Optimism"
Music: A high-energy, futuristic track like Flashdance... What a Feeling or a synth-heavy instrumental.
The aesthetic is purely "New Wave"—they wear electric blue and neon yellow suits with geometric patterns that glow under the stadium’s ultraviolet lighting.
The Choreography: The Technical Blitz
The Solo Stand-off: The act begins with Fréchette and Babb on opposite sides of the pool. They perform a "Mirror Solo," executing the exact same high-difficulty maneuvers (like the Ariadne spin) in perfect synchronization across 50 meters of water.
The Speed Sequence: The music hits a double-time beat. The "Rising Tide" cast performs a series of "Eggbeater" travels—moving across the pool at a speed that makes the veterans look slow. This highlights the shift toward the more athletic, high-velocity style that would define the 1990s.
The "Unbroken" Chain: All 12 young swimmers link feet-to-shoulders to form a human chain across the width of the pool. They perform a "Rolling Wave," where each swimmer disappears underwater in sequence and pops back up, creating a literal "rising tide" effect.
The Highlight: The "Barcelona" Preview
As a nod to the future, Fréchette and Babb meet in the center of the pool. They perform a joint "Vertical Split" where they rotate 720 degrees while descending.
The History Note: In our real timeline, these two would eventually be the center of a massive scoring controversy at the 1992 Barcelona Olympics, resulting in both receiving Gold medals. In this 1984 Gala, they are just two kids sharing a smile, symbolizing the friendship of the sport.
And Now The Grand Finale: Two-Part Masterpiece
The 1984 Artistic Swimming Gala concludes with a massive, two-part finale that pushes the boundaries of the sport, moving from a cinematic sunset celebration to a technical "Legs Only" display that has never been attempted on this scale before.
Part I: The Sunset Spectacular
As the sun begins to dip below the horizon of the Los Angeles skyline, the stadium lights dim, and the pool is illuminated from beneath by powerful underwater gemstones of light.
The Cast: All 70+ swimmers (the 50 official competitors plus the national team alternates and the "Rising Tide" juniors).
The Music: Lionel Richie’s "All Night Long"—the anthem of the 1984 Games.
The Choreography: This is a "Festival of Light." Every swimmer wears a waterproof LED bracelet (a prototype for the 1984 Games).
The athletes form a massive "Olympic Rings" formation in the center of the pool.
On the chorus, the swimmers perform "Rocket Splits" while tossing handfuls of water into the air, which catch the stadium lights like diamonds.
The "Hollywood" Exit: The swimmers don’t leave the pool; they move to the perimeter, treading water and clapping in rhythm with the 12,000 fans in the stands, creating a human border of light around the water.
Part II: The "Legs Only" Grand Finale
The music for "All Night Long" fades into a sudden, rhythmic silence. A heartbeat-like drum begins. This is the New Routine—a purely technical, high-intensity finale designed to prove that artistic swimming is the most difficult sport in the world.
The Setup: Every single swimmer—all 70+—moves into a tight, rectangular grid in the center of the pool. They all submerge simultaneously, leaving the surface of the water completely still for three seconds.
The Music: A synth-heavy, driving remix of John Williams’ "Olympic Fanfare and Theme."
The "Legs Only" Concept: For the next 90 seconds, not a single face or arm appears above the water. The entire routine is performed upside down.
The Vertical Forest: 140 legs (two per swimmer) explode out of the water in perfect unison. They perform a "Double Ballet Leg" sequence, snapping open and shut like a field of synchronized scissors.
The "Hose" Spin: All 70 swimmers perform a 720-degree vertical spin while underwater. Above the surface, the audience sees a forest of legs spiraling in perfect harmony, throwing off sheets of water.
The Shifting Geometry: Using only their core strength and underwater sculling, the swimmers move their legs to transition from a "Square" to a "Star" to the "Olympic Rings"—all while remaining completely upside down.
The Final Image
As the John Williams theme reaches its massive orchestral crescendo:
The swimmers perform one final, synchronized "Leg Kick"—snapping their legs into a wide split.
On the final note, they all perform a "Fast Sink," disappearing instantly under the water.
Five seconds of silence pass. Then, all 70+ athletes burst through the surface at once, arms raised in a "V," as a massive firework display erupts behind the stadium scoreboards.
Esther Williams is heard over the speakers: "Ladies and Gentlemen, the future of the Olympics has arrived."
OPENING NUMBER SQUAD LEADERS
North: Tracie Ruiz (USA)
East: Miwako Motoyoshi (Japan)
West: Sharon Hambrook (Canada)
South: Carolyn Wilson
GRAND FINALE: The Light Leads
Center Ring: Tracie Ruiz & Carolyn Waldo (USA)
Outer Rings: Sarah & Karen Josephson (USA '88)
LEGS ONLY GRAND FINALE: The Underwater Conductors
Rhythm Lead: Candy Costie (USA)
Alignment Leads: Kelly Kryczka (Canada) & Saeko Kimura (Japan)
Safety Sweepers: Sylvie Frechette (Canada '92) & Kristen Babb (USA '92)
Next Up: The 1988 Summer Olympics in Seoul, Korea
46 Athletes from 18 Nations Attended this event that took place on September 25 to September 30, 1988
Here are the Winners
Solo: Gold - Carolyn Waldo (Canada), Silver - Tracie Ruiz (USA), Bronze - Mikako Kotani (Japan)
Duet: Gold - Michelle Cameron & Caroline Waldo (Canada), Silver - Karen Josephson & Sarah Josephson (USA), Bronze - Mikako Kotani & Miyako Tanaka (Japan)
Then on October 1, 1988 following an Intense Solo Final when Canada's Carolyn Waldo won Gold, The 1988 Seoul Gala was "High-Tech Drama." By 1988, the sport had evolved. The swimmers were more athletic, the music was more complex, and the rivalry between the USA and Canada had reached a fever pitch after Carolyn Waldo (Canada) took the Solo Gold, reversing the 1984 result.
Act I: The Opening Number – "The Morning Calm"
The first act is a breathtaking fusion of traditional Korean culture and modern 1980s athleticism. It serves to introduce all 46 athletes from 18 nations while honoring the host city, Seoul.
1. The Cast and Look
The Squad Leaders: * Carolyn Waldo (Canada): The newly crowned Solo and Duet Gold Medalist.
Tracie Ruiz-Conforto (USA): The 1984 legend and 1988 Silver Medalist.
Mikako Kotani (Japan): The Bronze Medalist and a national hero in Japan.
The Costume: The swimmers do not wear their competition sequins yet. They enter in Hanbok-inspired swimsuits—high-necked, with long, flowing chiffon "tails" attached to their wrists in the five cardinal colors of Korea (Blue, White, Red, Black, and Yellow).
2. The Entry: The "Drum of the Han"
The act begins in total darkness. A single spotlight hits the 10-meter diving platform where a group of traditional Korean Pungmul drummers begins a thunderous rhythm.
The Squad Leaders' Descent: On the first major drum beat, Waldo, Ruiz, and Kotani perform a "Synchronized Platform Dive"—not a competitive dive, but a graceful, long-axis entry that breaks the water with zero splash.
The Zipper Entry: Following the leaders, the remaining 43 swimmers enter the pool from the sides in a "zipper" motion, diving in sequence so that a wave of splashes travels around the entire perimeter of the pool.
3. The Choreography: The Spinning Taegeuk
The Formation: All 46 swimmers meet in the center of the pool. They link arms and legs to form a massive circle.
The Movement: * The inner circle (led by the medalists) performs a "Vertical Spin," with their legs forming a tight bud.
The outer circle (the rest of the world) performs a "Back Layout" (floating on their backs).
Using the long chiffon tails on their wrists, they create a swirling visual of colors that, when viewed from the high-angle cameras, looks like the Taegeuk (the swirling red and blue symbol) from the Korean flag.
The Finale of Act I: The music transitions from traditional drums to a synth-pop version of the Olympic anthem. All 46 swimmers perform a "Rocket Split" while pulling a cord that releases a burst of biodegradable lotus flower petals into the water.
Act 2: The "East Meets West" Solo Suite
Following the massive unity of the Opening Number, Act II narrows the focus to the three greatest individual stylists in the world. In the 1988 competition, these three women were fierce rivals, but in the Gala, they perform a "Passing of the Torch" routine that highlights the different philosophies of artistic swimming: Power, Grace, and Precision.
1. The Cast: The Individual Icons
Tracie Ruiz-Conforto (USA): Representing Power.
Mikako Kotani (Japan): Representing Precision.
Carolyn Waldo (Canada): Representing Grace.
2. The Vibe: "The Three Seasons"
The music is a 1980s cinematic masterpiece—a synth-orchestral arrangement of Ryuichi Sakamoto’s Merry Christmas, Mr. Lawrence. The lighting shifts from the warm gold of the opener to three distinct "islands" of light in the pool: Red (USA), Blue (Japan), and Silver (Canada).
3. The Choreography: The Solo Hand-Off
Segment 1: The Japanese Precision (Kotani) Mikako Kotani begins in the blue spotlight. Her style is "Lyrical Precision." She performs her signature "Ballet Leg" sequence, where her legs move with the mechanical accuracy of a clock but the fluid beauty of a calligraphy brush. She doesn't splash; she "paints" the water.
Segment 2: The American Power (Ruiz) As the music hits a heavy drum beat, the red spotlight hits Tracie Ruiz. She performs a high-velocity "Boost," launching her entire torso out of the water. She represents the "California Style"—athletic, explosive, and fast. She performs a series of rapid-fire "Barracudas" that showcase her incredible core strength.
Segment 3: The Canadian Grace (Waldo) Finally, the silver light finds Carolyn Waldo. Waldo was famous for her height (the "Waldo Reach"). She performs a slow, hauntingly beautiful "Vertical Descending Spin," sinking into the water with her toes perfectly pointed, looking like a statue of ice melting into the pool.
4. The Finale of Act II: The Trio Fusion
For the final 30 seconds, the three spotlights merge into a single white beam in the center of the pool.
The three rivals meet and link arms to form a "Triangle Pivot."
They perform a Triple Crane Position (one leg up, one bent) and rotate 360 degrees while treading water.
The Highlight: Instead of a competitive finish, they perform a "Friendship Pose"—each swimmer places a hand on the next one's shoulder as they perform a final, slow-motion back-tuck somersault into the depths.
Act III: "The Soviet Ballet" – The Red Tide
Act III marks a historic moment in the Gala. While the USA and Canada were the "Queens" of the 80s, the 1988 Seoul Games were the first time the world truly saw the terrifying potential of the Soviet Union (USSR). This act is designed to feel like a high-stakes Bolshoi Ballet performance brought to the water.
1. The Cast: The Soviet Technicians
The Duo: Khristina Falasinidi and Mariya Chernyayeva (The top Soviet pair).
The Squad: The full 8-person Soviet National Team.
The Leader: Khristina Falasinidi, known for her incredible flexibility and "hypnotic" stare.
2. The Vibe: "Cold War Elegance"
Music: A dramatic, heavy-bass synth remix of Tchaikovsky’s Swan Lake. The Look: They wear deep crimson velvet-textured suits with high-cut legs and gold sickle-and-hammer embroidery on the hip. Their caps are matte gold, making them look like a line of statues.
3. The Choreography: The Russian Extension
The "Swan" Entry: Unlike the splashing entries of the other teams, the Soviets perform a "sliding entry." They walk to the edge of the pool and, in one fluid motion, slide into a "split" on the water's surface, sinking into a vertical position without a single ripple.
The Geometric Machine: The eight swimmers form two perfectly straight lines of four. They perform "The Clockwork Split"—a move where each swimmer opens their legs to a different angle (45°, 90°, 135°, 180°), creating a "fanning" effect that looks like a deck of cards being spread.
Underwater Ballet: The music slows to a haunting violin solo. The Soviets perform a "Long-Hold Submergence." They remain underwater for 45 seconds, during which they perform a synchronized "ballet of the feet"—only their ankles and toes are visible, dancing to the music with the precision of point shoes on a stage.
4. The Highlight: The "Iron Curtain" Lift
The Soviet Union brought a level of "Base Strength" that changed the sport.
Four swimmers create a solid platform underwater.
They launch Mariya Chernyayeva into the air.
Instead of a simple tuck, she performs a "Full Layout Backflip"—the first time a Soviet team had ever performed this acrobatic move in an Olympic setting.
She enters the water perfectly vertical, followed by the rest of the team performing a "Sudden Death" sink.
Act IV: The Cast: The European Collective
The French Duo: Karine Schuler & Anne Capron (Famous for their "Avante-Garde" choreography).
The Swiss Legend: Edith Boss (A technical powerhouse from Central Europe).
The British Duo: Nicola Shearn & Lian Goodwin (Representing the "classic" school of synchro).
2. The Vibe: "Classical Avant-Garde"
Music: A modern, upbeat 1980s orchestral waltz—Johann Strauss II’s The Blue Danube remixed with a steady electronic drum beat. The Look: The swimmers wear midnight blue suits with white lace-patterned overlays, mimicking the look of formal ballroom gowns. Their caps are adorned with small, sparkling "tiara" crystals that catch the stadium’s overhead spotlights.
3. The Choreography: The Floating Ballroom
The "Promenade" Entry: The act begins with the swimmers paired up on the deck. They perform a synchronized ballroom "waltz" step along the pool edge before falling backward into the water in a "layout" position, maintaining their elegant posture.
The Mirror Circles: The French, Swiss, and British swimmers form three separate circles. Each circle rotates in a different direction while the swimmers perform "Arm Ornaments"—complex, balletic movements with their hands and heads above water while their legs keep them perfectly buoyant.
The European Cross: The three groups merge into a large "X" formation. In a display of extreme lung capacity, they perform a "Slow-Motion Submerged Waltz"—turning 360 degrees underwater while maintaining a graceful "hand-in-hand" connection.
4. The Highlight: The "Eiffel Tower" Formation
As a nod to the French team’s influence, the act concludes with a unique structural lift:
The British and Swiss swimmers form a circular "base."
The French duo, Schuler and Capron, are hoisted upward.
They perform a "Back-to-Back Arch," touching their heads together while their arms are extended wide, creating the silhouette of the Eiffel Tower against the blue water.
The Finish: On the final orchestral flourish, all 10 swimmers perform a "Dolphin Arch" dive—a high, graceful leap over one another into the center of the formation.
Act V: The Tropical Rhythm" – The Spirit of the Americas
After the formal elegance of the European Waltz, Act V explodes with color, energy, and the high-tempo "Pan-American" style. This act celebrates the nations from the warmer latitudes—Mexico, Brazil, and the debutant from Aruba—who brought a festive, "Carnival" energy to the 1988 Seoul pool.
1. The Cast: The Latin Power
Mexico: Sonia Cárdeñas & Lourdes Candini (The powerhouse duo of the region).
Brazil: Paula & Erica Carvalho (The legendary twins who brought Brazilian flair).
Aruba: Yvette Thuis & Roswitha Lopez (Making a historic Olympic appearance for their island).
2. The Vibe: "Carnival on the Han"
Music: A high-energy medley of Gloria Estefan & Miami Sound Machine’s “Conga” and Brazilian Samba beats. The Look: These are the most vibrant suits of the Gala. They feature neon green, bright orange, and canary yellow with "feather" patterns made of shimmering sequins. Their nose clips are custom-painted to match their suits, and they wear bright, waterproof flower ornaments in their hair.
3. The Choreography: The High-Speed "Sync-Pop"
The Deck Dance: The act begins with the most complex "Deck Work" of the show. The Brazilian twins, Erica and Paula, lead a 30-second synchronized dance on land that includes hip-shakes and sharp arm thrusts, mimicking a Rio Carnival parade before they "cannonball" into the water.
The "Zig-Zag" Travel: Once in the pool, the swimmers perform a high-speed "travelling" sequence. Using a powerful "Propeller" scull, they move across the 50-meter pool in a zig-zag pattern, performing sharp 180-degree turns on every fourth beat of the music.
The Percussion Kick: The music shifts to a heavy drum solo. The swimmers form a straight line and submerge their upper bodies. Above the water, their legs perform a rhythmic "percussion" sequence—clapping their feet together and snapping their toes in time with the drums.
4. The Highlight: The "Solar Flare" Boost
The Mexican duo, Cárdeñas and Candini, are known for their incredible height.
The Brazilian and Aruban swimmers form a "compact launchpad" underwater.
They catapult the two Mexican leaders simultaneously into a "Twin Boost."
At the peak of their height, both swimmers perform a "Jazz Hand" flourish and a double-leg "Flick," looking like fireworks exploding over the water.
The Finale of Act V: All 10 swimmers perform a "Daisy Chain" underwater, popping up one by one to blow kisses to the crowd as the music ends with a final, loud whistle blast.
Act VI: "Twin-Chronicity" – The Mirror Image Suite
In the world of 1980s artistic swimming, there was a phenomenon that fascinated judges and audiences alike: The Twins. Act VI is dedicated to the eerie, "psychic" synchronization that only identical twins seem to possess. This act is a masterclass in symmetry.
1. The Cast: The Double Visions
USA: Sarah & Karen Josephson (The "Silver Twins" of 1988, future 1992 Gold medalists).
Canada: Penny & Vicky Vilagos (The "Power Twins," who would eventually return for 1992 Silver).
Brazil: Paula & Erica Carvalho (The "Samba Twins").
2. The Vibe: "Electronic Reflections"
Music: A rhythmic, pulsing synth track—“Moments in Love” by Art of Noise. The Look: To emphasize the "mirror" effect, the twins wear bicolor suits. One twin wears a suit that is Silver on the right and Black on the left; the other twin wears the exact opposite. When they stand side-by-side, they form a perfect, interlocking optical illusion.
3. The Choreography: The Split-Brain Routine
The Mirror Entry: The three sets of twins stand on opposite sides of the pool. They move toward each other with identical strides, hitting the water at the exact same micro-second.
The "Shadow" Sequence: The Josephsons lead the center. They perform a routine where one twin is always directly behind the other. From the front-row seats, it looks like there is only one swimmer with four arms and four legs. They move with such identical bone structure and muscle extension that the human eye cannot distinguish between them.
The "Twin-Tornado" Spin: The Vilagos twins and the Carvalho twins form two "spinning tops." They link at the waist and perform a 360-degree horizontal rotation while their legs perform a series of "Twists" and "Spins" above the surface.
4. The Highlight: The "Telepathic" Blind-Fold
As a "Gala-only" stunt that would be impossible in competition:
Each twin set performs a 20-second leg sequence where they are facing away from each other—back-to-back.
Without being able to see their partner, they execute a series of complex "Cranes" and "Flamingos." Because of their shared rhythm and years of training together, they remain perfectly synced to the millimeter.
The Finale of Act VI: The six women form two parallel lines. They perform a "Submerged Spiral," where they descend while spinning. The last thing the audience sees is three pairs of identical feet snapping shut in a "Vertical" position at the exact same moment.
Act 7: "The Asian Artistry" – The Spirit of Seoul
Act VII is the emotional heart of the 1988 Gala. This act celebrates the host nation, South Korea, and the powerhouse of Asian artistic swimming, Japan. It focuses on the concepts of "Zen" and "Fluidity," blending ancient Eastern aesthetics with the extreme athleticism of the Olympic stage.
1. The Cast: The Eastern Powerhouse
Japan: Mikako Kotani (Solo Bronze) and Saeko Kimura.
South Korea: Kim Mi-jinsu & Ha Soo-kyung (The hometown heroes who received thunderous applause every time they approached the pool).
China: Tan Min & Luo Xi (The rising stars making their mark on the international scene).
2. The Vibe: "Techno-Traditionalism"
Music: A fusion of the Kayagum (traditional Korean zither) and a heavy 1980s bassline—specifically a remix of Kitaro’s “Matsuri.” The Look: The swimmers wear iridescent white suits that shimmer like pearls, with bold brushstroke patterns in black and crimson, mimicking traditional East Asian ink-wash paintings (Sumi-e).
3. The Choreography: The Lotus and the Crane
The "Lotus" Bloom: The South Korean duo begins in the center. They perform a "Floating Meditation," using their hands to create intricate, ripple-like movements on the water’s surface while their bodies remain perfectly still.
The "Crane" Transition: The Japanese and Chinese duets join them, forming three spokes of a wheel. They perform a series of high-altitude "Cranes"—lifting one leg into a sharp, angular position while the other remains submerged. Their movements are slower than the "Tropical" act, emphasizing the "hold" and the "line."
The Silent Submergence: On a sudden drop in the music, all six swimmers submerge. For 30 seconds, they perform an underwater "Fan Dance." Using their hands, they push bubbles to the surface in a synchronized pattern that creates a "blossom" effect on the water's top.
4. The Highlight: The "Great Wall" Formation
The six swimmers link feet-to-shoulders to form a single, straight line across the pool.
They perform a "Continuous Roll"—the entire line of six athletes rotates 360 degrees horizontally, like a single white-and-gold log rolling through the water.
The Finale of Act VII: The South Korean swimmers are lifted into a "Double Throne" position by the Japanese and Chinese athletes. As they rise, they perform a traditional Korean "hand-greeting" to the audience.
The Special Moment: The stadium erupts as Kim and Ha shout "Kamsahamnida!" (Thank you) into the microphones before the squad dives back into the water.
Act 8: "The Oceanic Odyssey" – The Pacific Power
Act VIII brings a fresh, "Down Under" energy to the Jamsil pool. In 1988, Australia and the surrounding Pacific nations were becoming known for their incredible lung capacity and their "Power-Sync" style—a result of training in the surf and the open ocean.
1. The Cast: The Pacific Leaders
Australia: Lisa Steanes & Donna Rankin (The top-ranked duo from the Southern Hemisphere).
New Zealand: Katie Sadleir (The solo star who brought New Zealand’s artistic swimming to the world stage).
The "Surf" Ensemble: 6 additional swimmers from the Australian developmental squad, flown in specifically to bolster the "Team" feel of the Gala.
2. The Vibe: "Electronic Surf"
Music: A driving, 80s synth-rock track—think INXS’s "New Sensation" mixed with the sounds of crashing waves and didgeridoo accents. The Look: The swimmers wear deep turquoise and sand-gold suits with a "wave" texture. Their caps are a brilliant, metallic teal that makes them look like a school of tropical fish catching the light.
3. The Choreography: The Current and the Tide
The "Tidal" Entry: The act begins with the swimmers positioned at intervals along the long side of the pool. They perform a "Running Entry"—sprinting into the water and performing a long-distance underwater "Torpedo" glide that carries them halfway across the pool in a single breath.
The "Cyclone" Spin: In the center, the Australians form a 4-person cluster. They perform a "Vertical Group Spin," where they rotate while moving their legs in a frantic, high-speed "flutter kick" that creates a literal whirlpool (a "Cyclone") around them.
The Deep-Water Hold: While the Australians spin, Katie Sadleir (NZ) performs a "Deep Solo." She descends to the very bottom of the pool (nearly 5 meters) and performs a "Slow-Motion Running" move along the floor, visible to the audience through the crystal-clear water and underwater cameras.
4. The Highlight: The "Great Barrier Reef" Lift
The 8 "Surf Ensemble" swimmers form a massive, wide base underwater.
They lift the two Australian stars, Lisa Steanes and Donna Rankin, side-by-side.
Instead of standing, the two women are held in a "Horizontal Flying" position, mimicking the look of surfers gliding across a wave.
The Finale of Act VIII: As the INXS guitar solo hits its peak, all 9 swimmers perform a "Power Barracuda"—exploding upward and throwing their arms out in a "Double-V" shape. They finish by falling backward into the water in a "Radial Splash" (like a starburst).
Act 9: "The Legends' Tribute" – The Crossover of Eras
Act IX is the emotional "bridge" of the Gala. It is a historic moment where the pioneers of the 1984 Los Angeles Games—the women who first proved the sport belonged in the Olympics—return to the water to "hand the crown" to the 1988 stars.
1. The Cast: The Past and the Present
The 1984 Legends: Tracie Ruiz-Conforto (who returned for '88) is joined by a special guest appearance from her 1984 Gold-medal partner, Candy Costie, and Canada’s 1984 stars Sharon Hambrook and Kelly Kryczka.
The 1988 Stars: Carolyn Waldo, Mikako Kotani, and the Josephson Twins.
The Vibe: This act is a "Hall of Fame" in motion.
2. The Vibe: "Olympic Nostalgia"
Music: A sweeping, orchestral medley of "One Moment in Time" by Whitney Houston (the unofficial anthem of the 1988 Games) blended with the 1984 Olympic Theme. The Look: The 1984 veterans wear their original iconic red-white-and-blue (USA) and red-and-white (Canada) 1984 competition suits, while the 1988 stars wear their Seoul 1988 gold-medalist suits. The contrast between the '84 "retro" sequins and the '88 "high-tech" fabrics is a visual history lesson.
3. The Choreography: The Passing of the Goggles
The Reunion: The act begins with Ruiz and Waldo—the two "Queens" of the 80s—meeting at the center of the pool. They perform a synchronized "Mirror Arm" sequence, the same one that captivated the world four years prior.
The "Shadow" Swim: The '84 veterans swim "shadow" positions behind the '88 medalists. As Waldo (the '88 Gold medalist) performs a high vertical, her '84 predecessors (Hambrook and Kryczka) perform the same move directly behind her. It looks like a single athlete’s history echoing through the water.
The "Diamond" Formation: All eight "Legends" and "Stars" form a tight diamond. They perform a "Legacy Spin"—a slow, controlled 360-degree rotation where they change height in sequence, from the oldest veterans to the youngest stars.
4. The Highlight: The "Olympic Torch" Lift
The Josephson Twins and the Canadian veterans form a powerful "Cradle" base.
They lift Tracie Ruiz-Conforto and Carolyn Waldo simultaneously.
High above the water, Ruiz and Waldo reach toward each other and clasp hands, forming an arch. Between their joined hands, a spotlight beam shoots upward, mimicking an Olympic torch.
The Finale of Act IX: The music swells into the final chorus of "One Moment in Time." All eight women perform a "Feathered Descent"—sinking slowly while fluttering their hands, creating a soft, shimmering wake as they submerge for the final time before the Grand Finale.
Act 10: The Grand Finale – "The Seoul Symphony"
The final act of the 1988 Gala is designed to be the most technically ambitious "Legs Only" display in history. It moves beyond mere geometry and into the realm of Sign Language and Artistic Symbolism, pushing the athletes to perform for a full 120 seconds (two minutes) entirely upside down—a grueling 30 seconds longer than the 1984 Los Angeles Finale.
Part I: The Seoul Symphony (The Surface Celebration)
The Cast: All 46 Olympians plus 20 local Korean synchronized swimmers, forming a massive fleet of 66 athletes.
The Music: "Hand in Hand" (The official 1988 Seoul Olympic Song).
The Action: The act begins with a high-energy "Deck-to-Water" sequence. The swimmers form a massive, rotating Olympic Rings formation that covers 80% of the pool's surface. On the final chorus, they perform a "Global Wave"—a sequential Barracuda thrust that travels from the South Korean swimmers at one end to the North Americans at the other.
Part II: The "Extended Gravity" Legs-Only Finale
The music shifts from the pop anthem to a rhythmic, pulsating orchestral beat. Every swimmer submerges. For the next two minutes, the surface of the water belongs entirely to 132 legs.
The 120-Second Endurance: To maintain this for an extra 30 seconds over the 1984 record, the Squad Leaders (The Josephson Twins) established a "Breath-Pattern Code." Half the squad performs "Low-Energy sculling" while the other half performs "High-Intensity vertical kicks," alternating every 15 seconds to ensure nobody blackouts.
The "Kaleidoscope" Grid: The 66 swimmers form a tight, mathematical grid. They perform the "Seoul Spin"—a 1080-degree rotation (three full turns) where their legs move from a wide "Split" to a tight "Vertical" while descending at a constant speed.
The "Piano" Sequence: In a tribute to the music of the Games, the swimmers line up in three rows. They move their legs up and down in a rapid, staccato rhythm that mimics the keys of a piano being played, perfectly synced to the synthesizer track.
The New Move: "The Silent Farewell" (Leg Sign Language)
As the routine reaches the 100-second mark, the music drops to a single, haunting violin note. For the first time in history, the athletes use their legs to "speak" to the world.
The "Lettering" Move: The 66 swimmers arrange themselves into two massive groups. By crossing their legs at specific angles and heights, they form the letters "S-E-O-U-L" in the water, visible only to the overhead cameras.
The "Kamsahamnida" Wave: The swimmers then transition into a move never seen before: The Ankle Bow.
While perfectly vertical and upside down, the athletes bend their knees at a 90-degree angle (the "Tabletop" position) and then slowly extend their feet forward and down in a rhythmic, bowing motion.
The Final Message: In the closing 5 seconds, every swimmer performs a "Toe-Heart." They curve their feet inward toward each other at the ankles, creating the silhouette of a heart with their legs.
The Grand Exit
On the final orchestral crash, the "hearts" snap into a Maximum Extension Split. The swimmers then perform a "Vacuum Sink"—sucking themselves underwater so fast that the surface creates a tiny whirlpool where each athlete was.
Five seconds of silence follow. Then, 66 athletes burst through the surface simultaneously, holding their national flags high, as the "Hand in Hand" chorus returns for a final, deafening stadium sing-along.
SQUAD LEADERS
Full Body Section
Center Field Leader (The Anchor): Carolyn Waldo (Canada)
The Flank Leaders (The Pacesetters): Tracie Ruiz-Conforto (USA) & Mikako Kotani (Japan)
The Base Captains: Mariya Chernyayeva & Christina Thalassinidou (Soviet Union)
Legs Only Section
The Master Metronome: Sarah Josephson (USA)
Lettering Conductors: Penny & Vicky Vallegos (Canada)
Endurance Captain: Kim Mi-jinsu (South Korea)
Onto the 1992 Summer Olympics in Barcelona, Spain
Before the Gala: The Competition Ran from August 2 to 7, 1992
However Two gold medals were awarded in solo synchronized swimming after a judge inadvertently entered the score of "8.7" instead of the intended "9.7" in the computerized scoring system for one of Sylvie Fréchette's figures. This error ultimately placed Fréchette second, leaving Kristen Babb-Sprague for the gold medal. Following an appeal FINA awarded Fréchette a gold medal, replacing her silver medal and leaving the two swimmers both with gold. This was the last time that solo synchronized swimming was included in the Olympic program before being replaced in favor of a team event.
MEDAL SUMMARY
Solo: Gold - Kristen Babb-Sprague (USA) and Sylvie Frechette (Canada), Bronze - Fumiko Okuno (Japan)
Duet: Gold - Karen Josephson & Sarah Josephson (USA), Silver, Penny Vilagos & Vicky Vilagos (Canada), Bronze - Fumiko Okuno & Aki Takayama (Japan)
On August 8, 1992, The Barcelona Exhibition Gala took place at the Stunning Bernat Picornell Pools
Theme: "Viva La Amistad" (Long Live Friendship in English)
Act #1: The Opening Number – "Barcelona '92"
The show begins with the iconic voice of Freddie Mercury and Montserrat Caballé singing "Barcelona." * The Entrance: 53 athletes from 22 nations enter the deck wearing vibrant red and gold capes over their suits.
The Squad Leaders: Co-Gold Medalists Sylvie Fréchette (Canada) and Kristen Babb-Sprague (USA) enter from opposite ends of the 10m platform, meeting in the middle to dive in unison.
The Action: All swimmers form a massive "Sun" in the water, mimicking the Mediterranean sun, and perform a "Sequential Flare"—popping up one by one to create a circular wave of motion.
Act II: The "Flamenco" Solo Suite
A tribute to the host nation's soul.
Cast: The top Spanish soloist, Eva López, leads a trio with the Japanese and French soloists.
The Vibe: Sharp, rhythmic, and passionate. The music is a fast-paced Spanish guitar solo.
The Move: The "Water Stomp." Swimmers use their hands to slap the surface of the water in a rhythmic compás (flamenco beat), creating a percussive sound that echoes throughout the stadium.
Act III: "The Golden Reunion"
The most emotional act of the night, addressing the Solo controversy.
Cast: Sylvie Fréchette and Kristen Babb-Sprague.
The Routine: They perform a "Shadow Duo." Though they were solo rivals, they swim so closely that they appear as a single silhouette.
The Climax: They finish the routine by holding their Gold medals (brought to the edge by coaches) and raising them together while treading water.
Act IV: The "unified" Soviet Swan Song
In 1992, the USSR had collapsed, and the athletes competed as the "Unified Team" (EUN).
The Vibe: Haunting and nostalgic.
The Action: Led by Olga Sedakova, the team performs a routine that blends classical ballet with "Modern Industrial" movements, symbolizing the shifting gears of history. They form a "Human Chain" that stretches across the entire pool.
Act V: "Mediterranean Blue" – The European Collective
A celebration of the sea surrounding Barcelona.
Cast: Teams from Italy, France, Greece, and Great Britain.
The Look: Suits in every shade of azure and turquoise.
The Move: The "Submerged Reef." Swimmers link arms at the bottom of the pool and slowly rise in a "staircase" formation, mimicking the rising tide of the Mediterranean.
Act VI: "The Twin-Chronicity III"
The trilogy of the twins concludes with the legendary Josephson (USA) and Vilagos (Canada) twins.
The Routine: A high-speed "X-Pattern." The two sets of twins cross paths underwater at maximum velocity, missing each other by inches.
The Highlight: The "Double Mirror." All four women form a square and perform a 720-degree vertical spin in total silence, with not a single toe out of alignment.
Act VII: "Catalonian Dreams"
A tribute to Barcelona's architecture (Gaudí).
The Action: Using "Acrobatic Lifts," the swimmers attempt to recreate the spires of the Sagrada Família.
The Lift: A three-tiered platform lift where the top swimmer, Fumiko Okuno (Japan), strikes a pose representing a cathedral spire.
Act VIII: "The Rising Sun & The Dragon"
Showcasing the technical dominance of Asia.
Cast: Japan and the rapidly improving China squad.
The Vibe: High-tech and mechanical.
The Move: The "Rapid-Fire Scull." The swimmers move their hands so fast they create a "mist" on the surface of the water, hiding their bodies as they transition between formations.
Act IX: "The Acrobatic Preview"
By 1992, "Team" events were being considered for the next Olympics. This act is a "Power Demo."
The Action: 10 swimmers from the USA and Canada join forces.
The Highlight: The "Human Slingshot." Four swimmers launch a fifth swimmer (the "Flyer") over a line of three other swimmers. It’s the highest air-time ever seen in a Gala.
Act X: The Grand Finale – "The Olympic Fire"
Part 1: Full Body (The Mosaic of Nations)
Squad Leaders: Fréchette, Babb-Sprague, and the Josephson Twins.
Music: "Amigos Para Siempre" (Friends for Life), the official 1992 closing theme.
Formation: All 53 swimmers form the "Barcelona 92" Logo—the stylized jumping athlete. They use yellow and red caps to create the colors of the Catalan flag (La Senyera).
Part 2: The "Legs Only" Masterpiece (The 150-Second Challenge)
This is the longest "Legs Only" sequence in history, extended to 2.5 minutes.
The Squad Leaders (Underwater): Sarah and Karen Josephson. They use a "synchronized tapping" on their own hips to keep the 53-person grid in time for 150 seconds.
The "Flamenco Kick": While upside down, all 106 legs perform a rapid-fire "toe-tap" sequence that mimics the sound of a flamenco dancer’s shoes hitting wood.
The "Gaudí Spiral": The grid of legs transforms into a swirling "conch shell" shape, inspired by Gaudí's spiral staircases, rotating while slowly sinking and rising.
The New Move: "The Mediterranean Wave Goodbye":
In the final 20 seconds, the swimmers perform a "Side-to-Side Sway" with their legs, mimicking the motion of sea grass in a current.
The Finale: They perform the "Triple Ankle Bow" (three rhythmic pulses toward the crowd) before snapping into a "Diamond Split."
As they submerge for the final time, 53 small bubbles of air are released simultaneously, followed by the athletes leaping out of the water to catch red carnations thrown from the stands.
The 1992 Gala ends with the athletes and the audience singing "Amigos Para Siempre" as the sun sets over the Picornell stadium.
Squad Leaders for the Finale
Part 1: Full Body Section
The Duel Hearts of the Center: Sylvie Frechette (Canada) & Kristen Babb-Sprague (United States)
The Wing Commanders: Fumiko Okuno (Japan) & Olga Sedakova (Unified Team)
The Acrobatic Captain: Anna Kozlova (Unified Team)
Part 2: Legs Only Section
The Master Conductors: Sarah & Karen Josephson (United States)
The Gaudi Spiral Navigators: Penny & Vicky Vilagos (Canada)
The Wave Lead: Eva Lopez (Spain)
THE SOUNDTRACK
Act #1: "Barcelona" by Freddie Mercury & Montserrat Caballe
Act #2: "Entre dos Aguas" by Paco de Lucia
Act #3: "The Torch Theme (The Flaming Arrow)" by Angelo Badalamenti
Act #4: "The Mediterranean Sea" by Ryuichi Sakamoto
Act #5: "Concierto de Aranjuez" by Joaquin Rodrigo
Act #6: "Not Enough Time" by INXS
Act #7: "Olympic Fanfare and Theme (1992 Remix)" by John Williams
Act #8: "In Celebration of Man" by Yanni
Act #9: "Free Your Mind" by En Vogue
Act #10 - Part 1: "Amigos Para Siempre (Friends for Life)" by Sarah Brightman & Jose Carreras
Act #10 - Part 2: "Barcelona Games Medley"
And That's Part 1 of the Olympics Exhibition Gala in Artistic Swimming focusing on the Summer Olympic Games from 1984 to 1992 but in 1996 the debut of the new team competition and will show it to you in Part 2, Coming Up Shortly.
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